Home
Claudia Schiller Music (Calif.)
Mitch Gordon Music (Calif.)
Alan Keith Music (Calif.)
Cube Roots Music (UK)
AMTA (France)
|
Claudia Schiller Music / AEPEM
Claudia lives in the Sierra Foothills of California and is a family member of French gurdy-player/ producer/ musicologist
Jean-Michel Peru. Jean-Michel and his bagpiper friend Jacques Lanfranchi have produced three excellent recordings
of themselves and their two friends who are collectively Carre de Deux. They also run a small record label called AEPEM, which carries their
recordings and those of a handful of other French trad bands. Almost everything on AEPEM is a must-have, as far as I'm
concerned, and you can order them from Claudia in California, saving yourself hassle and expense.
All CD's are $20 each, including shipping. To purchase, contact Claudia Schiller at
claudie@calwisp.com.
These are the recordings:
|
Paris Centre -- Cornemuses en Ile-de-France
|
|
|
Paris Centre is a compilation of central France bagpipe music, played by a considerable collection
of the current players -- some famous in the scene, some not, but all fine players. There must be 10 or
20 different pipers featured, plus some notable box and hurdy-gurdy players. There are solos, duets, and
a roomful of bagpipes on one cut. There are big cornemuses (20 and 30 inch), lots of cabrettes, and even a little bit of the
sweet little royal court bagpipe played by Dominique Paris. There are many tunes here, mostly somewhat
obscure, all of them very nicely arranged. This CD is great listening, and a nice sampler of what can
be heard on the pipes in central France these days. Highly recommended.
Clips:
|
|
|
J.B. Bouillet Bourrées & Montagnardes
|
|
|
Where Paris Centre is focused on the bagpipe, Bourrées & Montagnardes is all about the hurdy-gurdy
(vielle a roue). It features Jean-Michel heavily, with Jacques backing him up on pipes, and very little other
musical accompaniment, and the material comes from the collections made by J.B. Bouillet in Auvergne
in the mid-1800's. They are great tunes, very cheerful and danceable, and there are lots of them (no
surprise). This album is fun for the casual listener (much like Paris Centre) who just wants to enjoy
the hurdy-gurdy in its element, but also contains a lot of interesting tunes for the experienced player to learn.
Very nice stuff.
Clips:
|
|
|
Carré de Deux -- "Les Transformations"
|
|
|
"Les Transformations" is, like the previous two JM/Jacques CD's, chock
full of tunes, mostly unfamiliar to me. This one specializes in dark tunes,
primarily from the Nivernais (Nevers) area of Berry. The instrumentation and
arranging are great, keeping a very traditional sound without things getting
repetitious. There are fiddle-box duos, two piper duos, fiddle and hurdy-gurdy,
fiddle and pipes...you get the idea. While everyone is a terrific player, I
especially enjoy Gilles Poutoux on diatonic. He is one of the very few box
players I've heard who delivers a very traditional sound playing along with
pipers and gurdy players on minor and modal tunes. Gilles gets featured a lot on
this recording, and I really like everything he does. Julien Barbances on fiddle
and pipes is no slouch either, and Jean-Michel and Jacques are enjoyable as
always. Definitely get this one if you're hungry for interesting new tunes.
Clips:
|
|
|
Carré d'Auvergne -- "Musiques a danser du Massif Central"
|
|
|
Carre d'Auvergne consists of four musicians whose specialty is old-style
Auvergne music in the Martin Cayla tradition.
Dominique Paris on pipes should need no introduction, and Christine Donnard on
hurdy-gurdy is an excellent player (and
a delightful person as well), along with Christine's husband Francis on fiddle
and Jean-Marie Cantaloube on chromatic accordion.
This music is great fun if you like Auvergne music (and maybe you should get to know this
stuff if it's unfamiliar), complete with pipes and
accordion with lots of tremolo. I play this one
a lot. They did a terrific job, and the selections are mostly not ones you
encounter. Highly recommended.
Clips:
|
|
|
Duo Artense
|
|
|
If you enjoy the old-style Auvergne music of Carre d'Auvergne, you probably will also like this
happy compilation of Auvergne tunes by fiddler Basile Bremaud and chromatic button accordionist
Herve Capel. It's just the two of them, plus a bit of foot stomping, and they are fine players
and creative without extending past the limits of the traditional Auvergne music genre. Basile
appears in various bands on other recordings (notably the wonderful Fai Petar on AMTA) and is just
a terrific fiddler, as well as singing on a couple of the traditional tunes with lyrics.
Herve is no slouch on the chromatic accordion, either. Great stuff!
Clips:
|
|
|
Laurence Dupré and Olivier Wely - "Dzouga!"
|
|
|
This is another recording of Auvergne music that demonstrates just what two musicians can kick out without
any studio tricks or other musicians. In this case it's fiddlers Laurence Dupré and Olivier Wely, and the
two together have just an amazing sound on two fiddles and a tapping foot. The style is mostly hard-driving
Auvergne bourree, in the tradition of Cafe-Charbons 30 years ago. They also throw in the other dance genres
of French trad music, all of it eminently danceable. You could happily dance to these guys for hours. I really
like this recording.
Clips:
|
|
|
Philippe Randonneix -- "Un Tot Pitit Bocin"
|
|
|
Philippe "Rando" Randonneix plays the chabrette, the pipes of the Limousin.
They're similar to the musette du centre
of Berry and a little like the cabrette of Auvergne, but sweeter. This CD is
delightful, and hands down the best solo
cd by a central France piper I've heard. All of the tunes are sweet and
danceable, and it is very lightly produced with
bagpipe taking center stage and the several side musicians who appear (typically
one to a cut, including some enjoyable traditional singers) never distracting from
Rando's playing. I really love this recording. You can listen to it again and
again.
Clips:
|
|
|
La Machine -- "Les Rodeurs"
|
|
|
Alright, so I'm a grouchy old guy who likes his traditional music traditional,
and I am not much of a fan of doumbeks and
ouds with my cornemuses and hurdy-gurdies. So La Machine will appeal to a
different crowd than myself. I do, however, respect
their talent, as Julien Barbances on pipes and Gregory Jolivet on hurdy-gurdy
are great musicians (Julien plays with Carre de Deux,
Gregory plays with the current incarnation of Blowzabella). And there are some
very good orginal compositions here. So if world-music
fusion with French trad is something up
your alley, definitely check out La Machine.
Clips:
|
|
|
La Machine -- "Il Est Encore Temps"
|
|
|
La Machine is back with a second recording, very much like the first but perhaps a little more subdued and
more polished. The band is very tight. If you liked the first La Machine, you'll definitely like this one
as well.
Clips:
|
|
|
Julien Barbances -- "Approachez Pour Entendre"
|
|
|
This is a meditative, rather introspective solo recording by piper Julien
Barbances, featuring a number of original tunes
as well as an interesting assortment of lesser-known traditional tunes from
Cantal, Lot, Correze, and elsewhere. Several of
the originals have a Middle Eastern flavor, much like his work with La Machine,
and others are more rooted in French trad, but all of them interesting. Put on
this recording after a frantic day and space out on the pipes.
Clips:
|
|
|